Tom Stoppard Plays With God

By Published on May 25, 2015

“The Hard Problem” is Tom Stoppard’s first work for the stage since 2006′s fantastic “Rock ‘n’ Roll,” and like “Rock ‘n’ Roll,” it asks whether there’s such a thing as a soul, or whether a human being is just “a pinball machine which thinks it’s in love.”

But where the earlier play offered a clash between Marxist materialism and the pagan ecstasy of rock music, “The Hard Problem” is a more blunt and programmatic conflict between evolutionary biology and a sort of heavily diluted Christianity, set in a brain-science research institute.

I saw National Theatre‘s broadcast production from London to international movie theaters, which closes May 27. ”The Hard Problem” is short—only 100 minutes—and it feels undercooked compared to Stoppard’s other work. The problems and stakes are often

Read the article “Tom Stoppard Plays With God” on theamericanconservative.com.

Print Friendly
Comments ()
The Stream encourages comments, whether in agreement with the article or not. However, comments that violate our commenting rules or terms of use will be removed. Any commenter who repeatedly violates these rules and terms of use will be blocked from commenting. Comments on The Stream are hosted by Disqus, with logins available through Disqus, Facebook, Twitter or G+ accounts. You must log in to comment. Please flag any comments you see breaking the rules. More detail is available here.
Inspiration
When It Looks Like We’re Getting Nowhere
Tom Gilson
More from The Stream
Connect with Us